Further Reading

Agbabi, Patience. “Stories in Stanza’d English: A cross-cultural Canterbury Tales.” Literature Compass. 2018. https://doi-org.ezproxy.lib.lehigh.edu/10.1111/lic3.12455.

Barrington, Candace, and Jonathan Hsy. “Remediated Verse: Chaucer’s Tale of Melibee and Patience Agbabi’s ‘Unfinished Business.’” Postmedieval: A Journal of Medieval Cultural Studies, vol. 6, no. 2, 2015, pp. 136–145. https://doi.org/10.1057/pmed.2015.8.

Breeze, Jean Binta, et al. “A Round-Table Discussion on Poetry in Performance.” Feminist Review, no. 62, 1999, pp. 24–54. JSTOR, www.jstor.org/stable/1395643.

Coppola, Manuela. “A Tale of Two Wives: The Transnational Poetry of Patience Agbabi and Jean ‘Binta’ Breeze.” Journal of Postcolonial Writing, vol. 52, no. 3, July 2016, pp. 305–318. https://doi.org/10.1080/17449855.2015.1091373.

Coppola, Manuela. “Queering Sonnets: Sexuality and Transnational Identity in the Poetry of Patience Agbabi.” Women: A Cultural Review, vol. 26, no.4, 2015, pp. 369-383. https://doi.org/10.1080/09574042.2015.1106252.

Lomuto, Sierra. “Chaucer and Humanitarian Activism.” Public Books, 5 Dec. 2018, www.publicbooks.org/chaucer-and-humanitarian-activism/?utm_content=buffer5d0f4&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer.

Novak, Julia, and Pascal Fischer. “On the Interface between Page and Stage: Interview with Patience Agbabi.” Zeitschrift Für Anglistik Und Amerikanistik: A Quarterly of Language, Literature and Culture, vol. 64, no. 3, Nov. 2016, pp. 353–363. doi: 10.1515/zaa-2016-0033.

Tönnies, Merle, et al. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik: A Quarterly of Language, Literature and Culture, vol. 64, no. 3, Nov. 2016, pp. 301–320. http://web.b.ebscohost.com.ezproxy.lib.lehigh.edu/ehost/detail/detail?vid=0&sid=53daac23-042e-413d-af34-efdb78aee825%40pdc-v-sessmgr06&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=2017391298&db=mlf